George L. Gorse

Co-Editor with M. Fantoni and M. Smuts, The Politics of Space: European Courts, ca. 1500-1750 (Rome: Bulzoni Editore, 2009)

“Chapter 9. Architecture and Urban Typology,” A Companion to Medieval Genoa, ed. C. Beneš, (Leiden: Brill Press, 2018), 218-242

“Body Politics and Mythic Figures: Andrea Doria in the Mediterranean World,” CIS e-journal, California Italian Studies Association, ed. J. Greenstein & W. Tronzo, vol. 6 (2016), 1-28

“Augustan Mediterranean Iconography and Renaissance Hieroglyphics at the Court of Clement II: Sebastiano del Piombo’s Portrait of Andrea Doria,” in The Pontificate of Clement VII: History, Politics, Culture, ed. K. Gouwens & S. Reiss (London: Ashgate, 2005), 313-339

“Genova: repubblica dell’Impero,” in Storia dell’architettura italiana: il secondo Cinquecento, ed. C. Conforti & R. Tuttle (Milan: Electa, 2001), 240-265

“A Classical Stage for the Old Nobility: The Strada Nuova and Sixteenth-Century Genoa,” Art Bulletin, 79 (1997), 301-327

“Between Republic and Empire: Triumphal Entries in Genoa during the Sixteenth Century,” in ‘All the world’s a stage…’: Art and Pageantry in the Renaissance and Baroque, ed. B. Wisch & S. Munshower (University Park: Pennsylvania State University Press, 1990), 189-256